Monthly Archives: September 2015

Hungry for Entertainment? The Feast of San Gennaro and Mark Sonder Productions will Quench that Hunger

Hungry for Entertainment? The Feast of San Gennaro and Mark Sonder Productions will Quench that Hunger

Mark Sonder Master of Ceremonies Feast of San GennaroFor many years in a row, Mark Sonder, MM, CSEP and the Chief Entertainment Officer at the award winning 30 year old international Mark Sonder Productions Entertainment Agency will be in New York City both managing and acting as the Master of Ceremonies at the Main Stage at The Feast of San Gennaro.

Although this is an annual celebration of faith, the Feast of San Gennaro is known the world over for its festive atmosphere, an 11-day event featuring religious processions and colorful parades, free musical entertainment every day, a wide variety of ethnic food delicacies, charming restaurants and cafes.

In an age where it is difficult to retain clients, “The Feast” has been a client for Mark Sonder Productions for many years. Sonder’s entertainment agency has become the gatekeeper for many event planners, facilities, concerts, casinos all around the US and abroad.

“The executive producer of the Feast continues to honor me by asking me back year after year,” said Sonder in an interview in downtown New York City.  “I am just delighted,” finishes Sonder.  Sonder knows what it takes as he has literally written the book for the industry, entitled, “Event Entertainment and Production,” used by over 100 institutions of higher education.

 To book your event entertainment and/or production ask Mark what he can do for you.

 Photo: Mark Sonder as Master of Ceremonies on the Fiat Performance Stage at The Feast of San Gennaro 2014.

Mark Sonder Productions Entertainment Agency Logo 540-636-1640About Mark Sonder Productions Entertainment Agency:

Created in 1985 to fill a growing need for music, entertainment, speakers, headline entertainers and supportive production in corporate and association meetings, conventions and special events plus facilities, clubs, casinos and concerts, the company in its 30 years, has worked in the US, Canada, Mexico, Bermuda, South America, Europe and Southeast Asia.

Contact: +1-540-636-1640 or msonder(at)marksonderproductions(dot)com.

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Mark Sonder Productions Entertainment Agency means Action or shall we say Ak-Chin

Mark Sonder Productions Entertainment Agency means Action or shall we say Ak-Chin

The Drifters Live and in Concert at this Harrah’s-Caesars Arizona Casino Resort

The Drifters 540-636-1640Let The Drifters transport you from, “Under The Boardwalk,” to “On Broadway,” to “Up on the Roof.”  Mark Sonder, MM, CSEP and Chief Entertainment Officer at the 30 year old award winning entertainment agency, Mark Sonder Productions Inc., is proud to announce that his company has acquired The Drifters for a concert at Harrah’s Ak-Chin Casino Resort at The Lounge on Saturday, September 12th at 8pm.

“The Drifters tunes represent the true American Songbook, great for meetings, conventions and all types of events,” stated Mr. Sonder in an interview on this booking.

The below are the tunes you can look forward to being performed with their patented choreography:

– On Broadway
– There Goes My Baby
– Dance With Me
– This Magic Moment
– Under The Boardwalk
– Some Kind of Wonderful
– Up On The Roof
– Stand By Me
– Please Stay
– Saturday Night At The Movies
– Spanish Harlem
– Sweets For My Sweet
– Save The Last Dance for Me
– I Count The Tears

From established to upcoming, from country, rock and pop to R&B to world music Mark Sonder Productions books them all, all over the country and abroad.

Mark Sonder Productions Entertainment Agency Logo 540-636-1640About Mark Sonder Productions Entertainment Agency:

Created in 1985 to fill a growing need for music, entertainment, speakers, headline entertainers and supportive production in corporate and association meetings, conventions and special events plus facilities, clubs, casinos and concerts, the company in its 30 years, has worked in the US, Canada, Mexico, Bermuda, South America, Europe and Southeast Asia.

Contact: +1-540-636-1640 or msonder(at)marksonderproductions(dot)com.

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Op-Ed: The VMAs – By Bob Lefsetz

Bob LefsetzOp-Ed: The VMAs – By Bob Lefsetz
I asked a powerful music PR man why the press never went negative on Taylor Swift.

He said it was about access. As long as she was available, doing interviews, feeding the press stories, coverage would be positive. It’s when you clam up that the media goes wild on you.

Which kind of explains why Kanye West is getting a pass.

Not completely. But here we have an egomaniac with little national traction, when it comes to music, being given a faux award and then rambling on for ten minutes nearly incoherently, sticking it to the man for giving him this award, any award at all. I’d say it’s hypocritical, but what fascinates me is the press is not full of stories about him being a blowhard. Why?

Because everybody in America is trying to get rich and the young are impressionable and if we can just focus on the antics of the young ‘uns we can get ahead.
Meanwhile, ratings for the show go down and one wonders what can be done next, live executions? George Carlin suggested that a while back, that ratings would be killer, but in our short attention span theatre, where everything is plowed under and history is irrelevant, no one seems to know, or get the joke.

Kanye WestNot that you can have a sense of humor these days. Because someone might be offended.

And the way you make hay on the VMAs is to offend. But that concept is so long in the tooth that we laugh when the oldsters get their knickers in a twist, because we know it’s just about attention.

Attention…it’s hard to get in the internet era.

You could make a record, but even that has a hard time triumphing. Happens every once in a while, with “Blurred Lines,” “Royals” and “Uptown Funk,” but what the industry thinks is important most of America does not so the way to get ahead is to be featured on this show, which resembles nothing so much as Halloween. That’s right, you put on a costume and have a night out and then you forget about the whole enterprise until twelve months hence.

The reason the VMAs are irrelevant is because the station no longer airs videos. I’m not saying they should, I’m just saying that in the heyday of the channel what was hyped on the night was exposed thereafter ad infinitum on the channel, and we were all paying attention. It’s a paradigm Beats 1 is trying to resurrect, by banging Halsey. Will it work?

That’s not the issue. We know there are anomalies. But the truth is we all don’t pay attention to anything other than the Super Bowl, which is why an appearance there is so meaningful and powerful. Prince resurrected his career, he can bloviate ignorantly about the internet but we all still care, because we saw him knock them dead at the game, whose contestants and score elude our memory.

That’s the power of music.

But we haven’t had “Little Red Corvette” in such a long time. A track that was indelible and so infectious that it didn’t matter who made it, what the video was like, we needed more.

So, if we were living in the old days, Miley’s manager would have brokered a deal wherein her new tunes would be featured on the outlet, ensuring they were hits. We’d all know them and we’d all talk about them. I give Ms. Cyrus props for dropping her LP right after the show, that’s how you do it, strike when the iron is hot, when the eyes are upon you, in a flash, but no one cares.

That’s the issue in America today.

It’s not that people have a short attention span, it’s just that they’re overwhelmed with product to the point they don’t care about much at all, percentage-wise, and those left out haven’t stopped bitching. Hell, it’s happening in television, read today’s “New York Times.”

But what the “Times” has that those appearing on the VMAs do not is a new paper, they’re in the pubic eye every day. Whereas you get your shot on the VMAs and if you don’t catch fire, you’re done.

So what have we learned?

If live shows were so important, a gathering of the tribes, ratings would soar, but they don’t. We’ve seen the trick, the antics, the train-wrecks, and it’s no longer new.

But if you’re not featured on one of these shows it’s even harder to get traction.

And everybody who puts money first plays by the rules. Developing acts that fit the paradigm are hyped this way to the point only the ignorant care.

So what’s next?

What I’ve been telling you all along, a whittling of the culture, a reduction of the offerings. Even fewer tracks are going to be hits. And you may not like what is selected, but popularity is everything in today’s culture.

And popularity can be manipulated, but victory truly occurs when the machine melds with quality such that we all care.

We can argue all day long whether “Blurred Lines” rips off Marvin Gaye, but we all agree it’s an infectious track.

As was Gnarls Barkley’s “Crazy.” If only Kanye kut one that good.

But he’s so busy pursuing his power dream of ubiquity that he’s lost focus, he expects us to care, but most don’t.

But no one in the game will admit that.

What the internet has taught us is the consumer is king. It’s happened over and over again. The consumer gave us file-trading then streaming. Don’t blame Spotify, that’s long after the fact.

The consumer wants instant access. The consumer wants a low price.

And most consumers don’t want what the music industry is giving them. And rather than adjust, the players are just doubling-down. Becoming even more crass.

So, the VMAs are irrelevant unless you were on them. Most people didn’t watch them and didn’t care. If you say you hate the tracks, join the club. If you wonder what is going on, the media and powers-that-be believe youth drive the culture.

But we’ve learned the oldsters have the money.

And we all have smartphones.

And we all think we’re hip.

And the way you win is by appealing to everybody.

Don’t expect people to pay attention if you’re niche.

But if you’ve got a great voice, write melodic material with good changes, employ hooky choruses and a bridge, the world is your oyster.

Start there.

“Soul-Searching in TV Land Over the Challenges of a New Golden Age”: http://nyti.ms/1LGE7gi

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